Editing for Directors - A Guide for Creative Collaboration by Gael Chandler
Editing for Directors - A Guide for Creative Collaboration by Gael Chandler | 16.51 MB
Title: Editing for Directors
Author: Gael Chandler
Description:
Editing for Directors guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film. This thorough, well-illustrated book: Describes the artistic, organizational, and technical skills editors bring to the party; Tells directors what to look for when hiring an editor and the best ways to work with an editor; Explains how and why directors should plan for editing before they shoot a frame; Devotes a full chapter to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing; Defines and discusses cutting-room terms, practices, and workflows; Reveals how editors approach footage and put shows together; Details the postproduction process from dailies to director's cut to locked cut; Covers creating and overseeing VFX (video effects); Demystifies spotting the show with the sound and music crew and creating, editing, and mixing sound and music; Describes titling, color grading, the DI (digital intermediate) process, and producing your show's final deliverables; and Spells out ways to archive your show and why doing so matters.
DOWNLOAD:
https://rapidgator.net/file/42d52266e3139072c6bb2fa949783960/Editing_for_Directors_-_A_Guide_for_Creative_Collaboration_by_Gael_Chandler.rar
https://k2s.cc/file/0c01bd3ee459a/Editing_for_Directors_-_A_Guide_for_Creative_Collaboration_by_Gael_Chandler.rar
Editing for Directors guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film. This thorough, well-illustrated book: Describes the artistic, organizational, and technical skills editors bring to the party; Tells directors what to look for when hiring an editor and the best ways to work with an editor; Explains how and why directors should plan for editing before they shoot a frame; Devotes a full chapter to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing; Defines and discusses cutting-room terms, practices, and workflows; Reveals how editors approach footage and put shows together; Details the postproduction process from dailies to director's cut to locked cut; Covers creating and overseeing VFX (video effects); Demystifies spotting the show with the sound and music crew and creating, editing, and mixing sound and music; Describes titling, color grading, the DI (digital intermediate) process, and producing your show's final deliverables; and Spells out ways to archive your show and why doing so matters.
DOWNLOAD:
https://rapidgator.net/file/42d52266e3139072c6bb2fa949783960/Editing_for_Directors_-_A_Guide_for_Creative_Collaboration_by_Gael_Chandler.rar
https://k2s.cc/file/0c01bd3ee459a/Editing_for_Directors_-_A_Guide_for_Creative_Collaboration_by_Gael_Chandler.rar
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