The Plastic Men 2025 1080p WEB-DL x264-STARCKFILMES95

Vietnam veteran Jonathan Teller, struggling with guilt and delusions, plans suicide, but a chance encounter disrupts his decision as he grapples with reality, leaving his fate uncertain.

Language: English
1.78 GB | 01:18:15 | 3028 Kbps | V_MPEG4/ISO/AVC | 1918x816 | A_AAC-2, 48 Khz, 2 channels

Genre: Drama | Horror | War
Starring: William Fichtner, James Preston, Aaron Dalla Villa
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Afterburn 2025 MULTi VFi 1080p HDLight AC3 5 1 H264-LiHDL

After a massive solar flare destroys the Earth's eastern hemisphere, an emboldened treasure hunter for hire adventures to Europe to uncover the coveted Mona Lisa, only to learn the world needs a hero more than it needs a painting.

Language: French, English
2.88 GB | 01:45:39 | 3000 Kbps | V_MPEG4/ISO/AVC | 1920x804 | A_AC3, 48 Khz, 6 channels

Genre: Action | Comedy | Sci-Fi
Starring: Dave Bautista, Tom Tidiman, Phil Zimmerman
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Materialists 2025 TVBU 1080p WEB-DL H264 DUAL AAC-TSRG

An ambitious young New York City matchmaker finds herself torn between the perfect match and her imperfect ex.

Language: English, Turkish
3.03 GB | 01:47:05 | 3789 Kbps | V_MPEG4/ISO/AVC | 1920x1080 | A_AAC-2, 48 Khz, 2 channels

Genre: Comedy | Drama | Romance
Starring: Dakota Johnson, Chris Evans, Pedro Pascal
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Airworthy 2026 1080p WEBRip x264 AAC-YTS

Language: English
1.37 GB | 01:22:03 | 2250 Kbps | avc1 | 1918x796 | mp4a-40-2, 48 Khz, 2 channels

Language: English
255.74 MB | 00:29:04 | 821 Kbps | V_MPEGH/ISO/HEVC | 1920x1080 | A_AC3, 48 Khz, 2 channels
Genre: Documentary, News

Bight 2026 1080p WEBRip x264 AAC-YTS

Two couples' daring foray into open relationships leads down a tumultuous path of jealousy, betrayal, and emotional devastation.

Language: English
1.54 GB | 01:32:11 | 2150 Kbps | avc1 | 1920x720 | mp4a-40-2, 48 Khz, 2 channels

Genre: Drama | Horror | Thriller
Starring: Maiara Walsh, Mark Hapka, Cameron Cowperthwaite, Maya Stojan
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Model 1981 1080p WEBRip x264 AAC-YTS

In my entry on "Juvenile Court", I discussed the metaphorical use of a documentary subject. Should a subject reflect only itself, or can it be used to reflect a broader context?The issue of using events in documentary films to focus on broader events could be discussed further using Wiseman's film "Model" as an example. This film has been criticized for lacking the "edge" of Wiseman's earlier films, and indeed, there at first don't appear to be any stand out scenes that leap out at the viewer. One would have thought that with a subject such as the fashion industry, Wiseman would have a lot to say concerning class and culture. Upon closer inspection however, one can see details that reflect subtle comments about the subjects. The detachment from the subject could be a reflection of the coldness of the atmosphere.There are many examples of this. In his essay "Wiseman's 'Model' and the Documentary Project", Dan Armstrong writes: "In sequence after sequence he shows us models at work, presenting themselves to the camera after being suitably dressed, painted combed, brushed, placed into a context, and moved about. They are, in effect, so many props, inanimate objects, mannequins to display the clothing and project 'personality.' In one revealing sequence, three French models get the pose 'right' only after following directions to 'ignore one another. Pretend you're mannequins in a Bloomingdale window.'"Armstrong goes on to talk of a scene where male models stand in the corner of a room during a party, in frozen mannequin poses, sometimes framing them between some of the 'beautiful' party-goers. Armstrong also mentions Wiseman's repeated use of mannequins, "employing them as symbols of the commodified self, the individual as object and product of the market." What should we make of Wiseman's detached view?Perhaps ultimately we should all judge for ourselves. Wiseman makes his films to try to bring a point across, but not force it. As Wiseman in a 2000 interview with "Film Maker" magazine put it: "The notion that [my films] could be objective ? I don't know how to deal with that. Every aspect of filmmaking represents a choice, whether it's the choice of subject matter, the way it's shot the way it's edited, the length of the film, or the duration and order of the sequences?. So I've never been able to get involved in this objectivity business. But at the same time, the word I substitute for 'objective' is 'fair.' And again, that's totally subjective. But I mean fair in the sense that I try to be open to the experience I have in making the film?. I try not to impose my preconceived ideas onto the material."We have here an example of a filmmaker whom although makes films with a certain goal, there is enough in them to suggest that he is aware of other opinions and regards them as well. As for whether his films are exploitative, it could be said that what a person brings to the film, his or her opinion about what they have seen, is entirely their own, and has nothing to do with Wiseman. Ultimately, it could be said that he just makes films, and despite what believes about what he has filmed, what is ethical, or what is unethical, is only what we agree, or disagree with.

Language: English
2.17 GB | 02:10:12 | 2250 Kbps | avc1 | 1440x1080 | mp4a-40-2, 48 Khz, 2 channels

Genre: Documentary
Starring: Apollonia van Ravenstein, Andy Warhol
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